This fine art print is produced using sustainable and enviromentally friendly practices, according to the international ISO14001 Environmental Management standard.
This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. The high-quality paper (235 gsm) is acid free with a smooth surface.
This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. The high-quality paper (235 gsm) is acid free with a smooth surface.
This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto the paper’s surface. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. The high-quality paper (235 gsm) is acid free with a smooth surface.
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John Collier (1850-1934) fue un pintor prerrafaelista británico, ilustrador y autor publicado. Se educó en Londres con Lawrence Alma-Tadema y Edward Poynter antes de trasladarse a París a estudiar con Jean-Paul Laurens. Insistente en la precisión extrema y a veces detallada de los sucesos históricos y mitológicos de sus cuadros. Collier también pintó muchos retratos de reyes, nobles, actores y conocidos de la sociedad de la época y fue miembro fundador de La Sociedad Real de Retratistas (Royal Society of Portrait Painters).
